{"id":1438,"date":"2024-07-26T23:21:56","date_gmt":"2024-07-26T16:21:56","guid":{"rendered":"https:\/\/sandbox.isi.ac.id\/?page_id=1438"},"modified":"2025-07-06T16:49:12","modified_gmt":"2025-07-06T09:49:12","slug":"research","status":"publish","type":"page","link":"https:\/\/senimurni.isi.ac.id\/en\/penelitian-dan-pengabdian\/research\/","title":{"rendered":"Research"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1438\" class=\"elementor elementor-1438\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"porto-full-no-gap elementor-section elementor-top-section elementor-element elementor-element-94ba437 elementor-section-full_width intro-section  elementor-section-height-min-height elementor-section-content-middle elementor-section-height-default elementor-section-items-middle\" data-id=\"94ba437\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;background_motion_fx_motion_fx_scrolling&quot;:&quot;yes&quot;,&quot;background_motion_fx_translateY_effect&quot;:&quot;yes&quot;,&quot;background_motion_fx_translateY_speed&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:8,&quot;sizes&quot;:[]},&quot;background_motion_fx_translateY_affectedRange&quot;:{&quot;unit&quot;:&quot;%&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:{&quot;start&quot;:0,&quot;end&quot;:100}},&quot;background_motion_fx_devices&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;]}\">\r\n\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\r\n\t\t\t\r\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\r\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f64929b\" data-id=\"f64929b\" data-element_type=\"column\" data-e-type=\"column\">\r\n\t\t\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\r\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a7480d3 elementor-align-center elementor-absolute elementor-invisible elementor-widget elementor-widget-button\" data-id=\"a7480d3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:0,&quot;_position&quot;:&quot;absolute&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"#menu-body\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"  Simple-Line-Icons-arrow-down\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t<\/section>\r\n\t\t<div class=\"elementor-element elementor-element-63755d6 e-con-full e-flex e-con e-parent\" data-id=\"63755d6\" data-element_type=\"container\" data-e-type=\"container\">\r\n\t\t<div class=\"elementor-element elementor-element-293fc56 gap-menu-0 e-flex e-con-boxed e-con e-child\" data-id=\"293fc56\" data-element_type=\"container\" data-e-type=\"container\">\r\n\t\t\t\t\t<div class=\"e-con-inner\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-3e420bb elementor-widget elementor-widget-heading\" data-id=\"3e420bb\" data-element_type=\"widget\" data-e-type=\"widget\" id=\"link-current\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-heading-title elementor-size-default\">-<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-64a292e e-flex e-con-boxed e-con e-parent\" data-id=\"64a292e\" data-element_type=\"container\" data-e-type=\"container\">\r\n\t\t\t\t\t<div class=\"e-con-inner\">\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c87cbe9 e-flex e-con-boxed e-con e-parent\" data-id=\"c87cbe9\" data-element_type=\"container\" data-e-type=\"container\">\r\n\t\t\t\t\t<div class=\"e-con-inner\">\r\n\t\t\t\t<div class=\"elementor-element elementor-element-26381b7 elementor-tabs-view-horizontal elementor-invisible elementor-widget elementor-widget-tabs\" data-id=\"26381b7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;_animation_delay&quot;:800}\" data-widget_type=\"tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-4001\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-4001\" aria-expanded=\"false\">PENELITIAN \/ PENCIPTAAN<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-4001\" aria-expanded=\"false\">PENELITIAN \/ PENCIPTAAN<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-4001\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-4001\" tabindex=\"0\" hidden=\"false\"><table>\n<tbody>\n<tr>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>No<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Nama Ketua Penelitian<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Program Studi<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Tema Riset<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Topik Riset<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Tahun Penelitian<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Nama Anggota<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Judul Riset<\/b><\/span><\/pre>\n<\/td>\n<td>\n<pre><span style=\"color: #ffffff;\"><b>Nama Mahasiswa<\/b><\/span><\/pre>\n<\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">1<\/span><\/td>\n<td><span style=\"font-weight: 400; color: #ffffff;\">Dr. I Gede Arya Sucitra, S.Sn., M.A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"font-weight: 400; color: #ffffff;\">Pengembangan keilmuan seni\n<\/span><\/td>\n<td><span style=\"font-weight: 400; color: #ffffff;\">Filsafat \/ Estetika seni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Interpretasi Dialektika Lokalglobal sebagai Refleksi \u2018Little Narration\u2019 Postmodern dalam Representasi Seni Rupa Kontemporer\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Luh Gede Danaswari Dedok\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">2<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Satrio Hari Wicaksono, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Representasi Aspek Spiritual dalam Karya Bioart di Indonesia : Kajian Diskursus Seni, Bioteknologi dan Spiritualitas\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alin Liandisshanti\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">3<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Nadiyah Tunnikmah, S.Sn., M.A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"font-weight: 400; color: #ffffff;\">Pengembangan keilmuan seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sosiologi seni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Interaksi Simbolik Dalam Medan Seni Rupa Di Yogyakarta\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Misva Fitriani\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">4<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Anitalia Stefany Welayana, S.S., M.A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sosiologi seni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alia Swastika dalam Kuratorial Seni Rupa Indonesia: Kajian Arena Produksi Kultural Pierre Bourdieu\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Anjani Saughiyatul Hubbiyah\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">5<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Hadiyan Yusuf Kuntoro, S.T., M.Eng.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni di era disrupsi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Yusuf Ferdinan Yudhistira, S.Sn., M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Eksplorasi Pemanfaatan Kode Komputer sebagai Teknik dalam Penciptaan Karya Seni Drawing: Rangkaian Eksperimen Penciptaan Karya Seni Drawing di Era Seni Rupa Kontemporer\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Asha Bidar Chalookee\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">6<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Yusuf Ferdinan Yudhistira, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berwawasan lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berbasis lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Hadiyan Yusuf Kuntoro, S.T., M.Eng.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Eksplorasi Material Sampah dalam Seni Patung\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sintia Nurul Oktania\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">7<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Devi Ratnasari, M.Kom.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Studi Komparasi: Analisis Aspekaspek Kritis pada Website Galeri Seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Wahyuningsih Intan Sari\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">8<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Prof. Martinus Dwi Marianto, M.F.A., Ph.D.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berwawasan lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berbasis lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Drs. Asnar Zacky, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Mentransform Substansi Artikel Journal Ilmiah \u2018Revealing the EcoAesthetics of the Pangium Edule Tree: A Natural Sources of Spices in a Time of Dendrophobia\u2019 menjadi Novel  Grafik secara Kreatif\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Benedikta Wening Astuti\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">9<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Deni Junaedi, S.Sn., M.A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Penciptaan Lukisan dengan Kombinasi Teknik Kolase Ornamen Tradisional dan Teknik Splattering\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Anggi Satoko Saputro\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">10<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Prof. Dr. M. Agus Burhan, M.Hum.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sejarah seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berbasis lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Prof. Dr. St. Hanggar Budi Prasetya, M.Si.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Mural Naratif di Klenteng Cu An Kiong Lasem: Cerita, Makna, dan Pembuatnya\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Ayu Soraya\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">11<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Albertus Charles Andre Tanama, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Inovasi Pembuatan Alat Cukil Pointilis dari Bahan Bekas untuk Perkembangan Seni Grafis Indonesia\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Ade Putri Yanira\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">12<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Devy Ika Nurjanah, S.Sn., M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni terapan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni untuk pendidikan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Eksplorasi Teknik Glue Print Dalam Penciptaan Karya Seni Grafis Cetak Tinggi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Abi Yusrrafinada\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">13<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Lutse Lambert Daniel Morin, S.Sn., M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2024<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Penciptaan Patung Steampunk Photobioreactor Mikroalga\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sokya Karmakayana Vasarely Lutse Morin\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">14<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Satrio Hari Wicaksono, M.Sn\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2023<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Analisis Metode Penciptaan Seni dengan Medium Fungi dan Mikroba pada Karya Bioart Syaiful Aulia Garibaldi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Shidqi Annas Al Haris\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">15<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Devy Ika Nurjanah, S.Sn., M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berwawasan lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sustainability design\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2023<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Eksperimentasi Tekstur Cetak Kolase Sampah Anorganik dalam Penciptaan Karya Seni Grafis\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Adam Ar Rizki\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">16<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Deni Junaedi, S.Sn., M.A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni di era disrupsi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2023<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Kolase Ikon Media Sosial pada Penciptaan Lukisan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Dimas Ragil Rahaditya Irsan\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">17<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Lutse Lambert daniel Morin, S.Sn., M.Sn\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2023<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Drs. Dendi Suwandi, M.S.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sayap Sebagai Representasi  Patung Kinetik\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Dwi Anggoro Mandiri\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">18<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Satrio Hari Wicaksono, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Eksplorasi Medium dan Media dalam Karya Agan Harahap : Representasi PseudoReality pada Media Sosial\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Shidqi Annas Al Haris Sholih\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">19<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Amir Hamzah, S.Sn., M. A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Pendekatan Profetik pada Lukisan Seniman Hijrah Yogyakarta\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sarah Aulia Rudiana\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">20<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Dr. Suwarno Wisetrotomo, M.Hum.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sosiologi &#038; Antropologi Seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Trilogi Instalasi Seni Rupa Karya Heri Dono \u201cFermentation of Mind, Nose, and Brain\u201d: Satire Untuk Dunia Pendidikan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Sarah Aulia Rudiana\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">21<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Devy Ika Nurjanah, S.Sn., M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni terapan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni untuk pendidikan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Aplikasi Drawing Realistik Melalui Teknik Cukil Dalam Karya Seni Grafis M Fadhlil Abdi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Rochmat Basuki\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">22<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Wiyono, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Pandemi Covid19 Dalam Sketsa\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Mela Indri Wibawani\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">23<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Itsnataini Rahmadillah, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Pengembangan keilmuan seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Semiotika seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Semiotika pada Masjid Gedhe Kauman Yogyakarta dalam Sejarah Seni Rupa Islam\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Ady Try Laksono\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">24<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Prof. Martinus Dwi Marianto, M.F.A, Ph.D.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berbasis lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni berbasis lingkungan hidup\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Mengamati Pohon Pucung, Menggali Potensi Visualnya\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Benedikta Wening Astuti\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">25<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Prof. Dr. Mukhamad Agus Burhan, M.Hum.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni terapan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni untuk pendidikan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Dr. Miftahul Munir, , M.Hum.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Kapal Sarat, Kapal Meretak (Refleksi Sejarah Kepadatan Demografi di Jawa dalam Penciptaan Seni Lukis)\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Desi Sofianti\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">26<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Lutse Lambert Daniel Morin, S.Sn., M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Drs. Dendi Suwandi, MS.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Patung Steampunk Kinetik\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Shafira Permata Agsar\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">27<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Deni Junaedi, S.Sn., M.A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Teknologi seni\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alih media seni berbantukan teknologi\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Digitalisasi Proses Melukis Dengan Teknik Splattering\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Naomy Dixie Wardani\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">28<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Setyo Priyo Nugroho, M.Sn.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni terapan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni untuk pendidikan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2022<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Amir Hamzah, S.Sn., M. A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Romantisisme Potret Pangeran Diponegoro: Sebuah Penciptaan Lukisan\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Alin Liandisshanti\n<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400; color: #ffffff;\">29<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Deni Junaedi, S.Sn., M.A.\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Seni Murni<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">2018<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">Estetika Closure dengan Efek Cat Air pada Praktek Melukis Langsung di Luar Studio\n<\/span><\/td>\n<td><span style=\"color: #ffffff;\">&#8211;\n<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<span style=\"color: #ffffff;\">\u00a0<\/span><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>&#8211; PENELITIAN \/ PENCIPTAAN PENELITIAN \/ PENCIPTAAN No Nama Ketua Penelitian Program Studi Tema Riset Topik Riset Tahun Penelitian Nama Anggota Judul Riset Nama Mahasiswa 1 Dr. I Gede Arya Sucitra, S.Sn., M.A. Seni Murni Pengembangan keilmuan seni Filsafat \/ Estetika seni 2024 &#8211; Interpretasi Dialektika Lokalglobal sebagai Refleksi \u2018Little Narration\u2019 Postmodern dalam Representasi Seni [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":8349,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1438","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/1438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/comments?post=1438"}],"version-history":[{"count":112,"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/1438\/revisions"}],"predecessor-version":[{"id":9317,"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/1438\/revisions\/9317"}],"up":[{"embeddable":true,"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/pages\/8349"}],"wp:attachment":[{"href":"https:\/\/senimurni.isi.ac.id\/en\/wp-json\/wp\/v2\/media?parent=1438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}